advertisement
SUBSCRIBE TO THE GEEKS OF DOOM PODCAST NETWORK
space Skull-Face Island Movie Podcast The Drill Down Podcast TARDISblend Podcast Geeks of Doom Round Up Podcast Comics of Doom Podcast Flix of Doom Podcast
space
head
headheadhead
space
Subscribe to Geeks of Doom via Email
space
Subscribe to our RSS Feed
space
Follow Geeks of Doom on Twitter
space
Home Contact RSS Feed
News   •   Features   •   Reviews   •   Podcasts   •   Contests   •   Contact Us   •   About Us
‘The Hobbit’ May Not Be Presented At 48fps At Your Local Theater

eelyajekiM   |  

The Hobbit

With all the news about The Hobbit being turned into a trilogy spreading in the past few weeks, it was a little bit surprising not to hear director Peter Jackson address some of the issues and concerns about the film and its sequels being presented at 48 frames per second (fps). The projection rate was to have revolutionized the way audiences watched their movies. However, sneak previews of the film at 48fps failed to rile up any positive response. This left Jackson trying to pitch an encouraging spin for the new presentation format.

But that doesn’t seem to be working and now Warner Bros. is considering limiting the release of the 48fps version of The Hobbit: An Unexpected to only select locations. This could mean that major cities like New York and Los Angeles would get to see it in its intended format, while others will be left to watch the film at 24 fps.

In attempts to gain any positive reaction for 48fps, Variety reports that the people who have seen the film at the high-frame rate (hfr) in 3D say “the picture now looks vastly better than the test footage shown this April at CinemaCon, which had not yet undergone post-production polishing and got a mixed reception from exhibitors.”

The news may be encouraging to some, but I’ll take that quote with a grain of salt, considering the report doesn’t specify who exactly watched the film. Plus The Hobbit was presented at 24fps at the San Diego Comic-Con, which could mean that WB doesn’t believe the audience is ready to see this film at the hfr.

So the studio is doing all they can to protect the format by going forward with a limited release. Using the limited release would measure the reaction and help WB decide whether or not to release The Hobbit: An Unexpected Journey (and its sequels) in its intended format may sound like a smart move at first. But by doing so, it will disappoint fans who are interested to see what 48fps looks like. I for one haven’t seen 48fps in action, but considering that Los Angeles is just an hour or so away from me, I’d be willing to make the drive just to see it in its intended presentation. Not sure that I speak for everyone else though.

Since the film was already shot at the hfr, it would require some expense for WB to reduce the film to 24 fps, which is the rate that most theaters will play it. It isn’t a simple fix, as editors must add motion blur or risk the film looking extremely choppy.

What do you think about WB’s decision to limit the number of theaters presenting The Hobbit at 48fps? If you live in the general vicinity of one of the two major cities, would you be willing to drive out just to watch it the way Jackson intended you to see it?

[Source: Variety]

space
space space
Around the Web



space
  • Joeybombstyle

    Well personally I would always like to see a film in its
    intended format no matter what that is, and I happen to be lucky enough to live
    right outside of NYC. I’m not tech savvy enough to understand the difference
    between 48 & 24 fps (but I’m willing to listen to someone’s explanation).
    The unfortunate thing I’m not really sure why WB and Jackson would have gone
    into this venture knowing that the majority of theaters were not properly set
    up to handle the format. Unless it’s WB’s way of creating a “special
    event” like buzz around those showings that will be in 48 fps.

  • http://www.facebook.com/tony.romano.564 Tony Romano

    I don’t think WB is having to do anything special now for the normal (old fashioned) 24fps showings that most of the country will see. It was always the case that only “certain theaters” would be ready to project the NEW 48fps version; so they must have been preparing 2 versions of the film all along.

  • Andrew Pitman

    I really hope there is a showing in Atlanta at 48fps! or else I will have an expensive plane flight to pay for o_o

  • Andrew Pitman

    When you watch a movie, you are seeing a series of pictures, called frames, that are changing so fast it looks like motion. 48 frames per second means the pictures are changing twice as fast as they would for most movies, which play between 24 & 30 frames per second. the human eye and brain can see a difference in frame rates all the way to 60 frames per second, which means that 48 frames per second should look much more realistic than 24 fps.

space
space
SPACE
Google
SPACE
SPACE
SPACE
SPACE
SPACE
SPACE
SPACE
SPACE
Get Geeks of Doom Gear on CafePress
SPACE
SPACE
Check out all of our current contests listings
SPACE
SPACE
SPACE
SPACE
Skull-Face Island Movie Podcast TARDISblend Podcast Comics of Doom Podcast
The Drill Down Podcast The Geeks of Doom Round Up Podcast Flix of Doom Podcast
SPACE
2520 Clothing Company
SPACE
SPACE
Animated  ·  Apps  ·  Art  ·  Best-Sellers  ·  Bits of Doom  ·  Blog  ·  Blu-ray  ·  Book of Geek  ·  Books  ·  Cartoons  ·  Celebrity  ·  Charity  ·  Collectibles  ·  Comics  ·  Computers  ·  Contests  ·  Conventions  ·  Deals  ·  DIY  ·  Documentary  ·  Doom Deliveries  ·  DVDs  ·  Electronics  ·  Environment  ·  Fanatic  ·  Features  ·  Gadgets  ·  Games  ·  Gear  ·  Geek Finds  ·  Geek Girls  ·  Gift Guide  ·  Holidays  ·  Humor  ·  Interviews  ·  Movies  ·  Music  ·  News  ·  News Bytes  ·  Obit  ·  Photos  ·  Podcasts  ·  Politics  ·  Poll  ·  Press Releases  ·  Recaps  ·  Reviews  ·  Rumors  ·  Science  ·  Software  ·  Sports  ·  Technology  ·  Television  ·  Theater  ·  Theme Parks  ·  Trailers  ·  Travel  ·  Video Games  ·  Videos  ·  Web Games  ·  Week of Geek  ·  Zombie Round-Up
SPACE
April 2013  ·   March 2013  ·   February 2013  ·   January 2013  ·   December 2012  ·   November 2012  ·   October 2012  ·   September 2012  ·   August 2012  ·   July 2012  ·   June 2012  ·   May 2012  ·   April 2012  ·   March 2012  ·   February 2012  ·   January 2012  ·   December 2011  ·   November 2011  ·   October 2011  ·   September 2011  ·   August 2011  ·   July 2011  ·   June 2011  ·   May 2011  ·   April 2011  ·   March 2011  ·   February 2011  ·   January 2011  ·   December 2010  ·   November 2010  ·   Octber 2010  ·   September 2010  ·   August 2010  ·   July 2010  ·   June 2010  ·   May 2010  ·   April 2010  ·   March 2010  ·   February 2010  ·   January 2010  ·   December 2009  ·   November 2009  ·   Octber 2009  ·   September 2009  ·   August 2009  ·   July 2009  ·   June 2009  ·   May 2009  ·   April 2009  ·   March 2009  ·   February 2009  ·   January 2009  ·   December 2008  ·   November 2008  ·   Octber 2008  ·   September 2008  ·   August 2008  ·   July 2008  ·   June 2008  ·   May 2008  ·   April 2008  ·   March 2008  ·   February 2008  ·   January 2008  ·   December 2007  ·   November 2007  ·   Octber 2007  ·   September 2007  ·   August 2007  ·   July 2007  ·   June 2007  ·   May 2007  ·   April 2007  ·   March 2007  ·   February 2007  ·   January 2007  ·   December 2006  ·   November 2006  ·   Octber 2006  ·   September 2006  ·   August 2006  ·   July 2006  ·   June 2006  ·   May 2006  ·   April 2006  ·   March 2006
SPACE
Add to Technorati Favorites Movie Blogs - Blog Catalog Blog Directory Entertainment Blogs - Blog Top Sites Entertainment blogs Entertainment blogs
SPACE
SPACE
Creative Commons License
This website is licensed under
a Creative Commons License.
SPACE
Geeks of Doom is proudly powered by WordPress.

Students of the Unusual™ comic cover used with permission of 3BoysProductions
The Mercuri Bros.™ comic cover used with permission of Prodigal Son Press

Geeks of Doom is designed and maintained by our geeky webmaster
All original content copyright ©2005-2013 Geeks of Doom
All external content copyright of its respective owner, except where noted
SPACE
SPACE